The hero of the film, academician Sergei Vasilyevich Lunin, director of the Kiev Research Institute of Informatics, is working on the implementation of the Unity project in the enterprises of a single department. According to his calculations, this global information network should significantly reduce the number of intermediate instances and, accordingly, the decision-making time. Lunin has opponents. Despite a sharp deterioration in health, the hero goes to the Novogorsk Tractor Plant and there he finds out the real reason for the downtime, and, consequently, the reason for hiding the data. Knowing that he has only six months to live, Lunin abandons the operation and does everything possible to protect his project.

As Norman and his girlfriend storm into Central Park, bickering, Norman is cornered by a string of characters from his past, appearing from all sides of the park — from two of his former therapists to his Mormon ex-girlfriend. Despite his best efforts to run away from his problems, Norman, who has recently returned from LA, can’t seem to escape them.

When their parents die, Bianca starts to smoke and Tomas is still a virgin. The orphans explore the dangerous streets of adulthood until Bianca finds Maciste, a retired Mr. Universe, and enters his dark mansion in search of a future.

Reality quickly unravels when antisocial Yukiteru is called into a death match against 11 other mentally scarred individuals. Each player has a prophetic device tuned to their personality, giving them control over their future—and the fate of their foes.

In July 1942, during the Vel’ d’Hiv’ Roundup of Jewish families in Paris, 13 year old Tauba Birenbaum and her parents, who are Polish Jews, find refuge in a tiny room for the next 765 days. Living conditions are tough and they fear being discovered at any moment. But while her parents sink further into despair, Tauba’s fighting spirit shines through. She finds joy in every little thing, from a piano drawn on the floor, to the views of Paris through an open window. Despite extreme circumstances, she will keep hope until the liberation of Paris, and take back control of her life.

What will the future look like? How will new discoveries and research impact our everyday lives in 2050?

A smart and innovative look at the possible futures of a young Chinese immigrant to Buenos Aires, told in the stilted language of an elementary Spanish textbook.

From first love to first divorce, Romina and Flor experience different stages of their lives together, in Argentinian director Constanza Novick's exploration of friendship between women.

Each love story in the film takes us to a different past, from a different present. The hope for a bright future is an illusion that keeps us expecting, as it unleashes the anguish of waiting for something extraordinary to happen. In this strange time, shaped by memory pieces and by what could have happened but didn’t, is where the characters of the film inhabit, awaiting the arrival of the future. The storyteller in “In the Future” is a ghost. My ghost.

Paris, 1978. In a male-dominated music industry, Ana uses new electronic machines to make herself heard, thus creating a new sound that is destined to mark the decades to come: the music of the future.